![](https://freight.cargo.site/t/original/i/bc4ec8eb6149d9c558fa7dc4c440d51e8377ca1b97ecb203d3b83b7773b296d1/HAYMC_1.png)
![](https://freight.cargo.site/t/original/i/0a87c3ec512d6e8301a7d35ad54a77e3cf6d19310d7b9f9cf5461da20d5e7771/HAYMC_2.png)
![](https://freight.cargo.site/t/original/i/9461a706db7bbd76983e6db92af844aced2b8be5f26fdd0fbd3b75f56df98e98/HAYMC_3.png)
6’40”
HD video
stereo
color
2019
HD video
stereo
color
2019
“At times, starts again. Noise. Semblance of noise. Speech perhaps. Broken. One by one. At a time. Broken tongue. Pidgeon tongue. Semblance of speech.”
- Theresa Hak Kyung Cha, Dictee
Written in Mongolia, sent to the USSR, re-discovered in the US - three letters from three generations of women examine how language can function as a site of alienation. In a film that is multilingual, multigenerational, and multivocal, three distinct voices echo each other over the span of thirty years.
2019 Terrain Biennial, Los Angeles, USA
- Theresa Hak Kyung Cha, Dictee
Written in Mongolia, sent to the USSR, re-discovered in the US - three letters from three generations of women examine how language can function as a site of alienation. In a film that is multilingual, multigenerational, and multivocal, three distinct voices echo each other over the span of thirty years.
2019 Terrain Biennial, Los Angeles, USA